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SEE IT

How She Move
Dir: Ian Iqbal Rashid
Starring: Rutina Wesley, Brennan Gademans, Cle Bennett, Tre Armstrong, Kevin Duhaney
***
What’s it about?
Raya Green (Wesley) is a high school student “straight outta the projects” but she is a little smarter than the average hoodrat. Studious, articulate and intelligent she is deeply passionate about dancing.

In a well worn use of plot devices Raya wants a better life for herself and in order to raise the necessary tuition funds for a place at a high falutin school she bands together with a local Step group who are about to enter an X Factor-esq competition for dancers.

Is It any good?
Whilst the acting, cinematography and photography won’t win any awards this is a visual treat when the cameras attempt to follow the incredible dance moves. Lets face it the plot is just a thinly veiled excuse for teens to engage in some seemingly back breaking dance offs which admittedly they do carry out with an intensity not seen since David LaChappelles movie Rize. The Dialogue is slightly cluncky and is delivered with a lack of authenticity that lets down an otherwise passable script.

You’ll remember this bit:
I must say I was struck by the many plot holes that pepper the paper thin plot. Judging from the amount of time that Raya’s buddies, who all happen to work in a garage, actually spend dancing instead of what they are paid to do I was surprised they could all a) Keep their jobs and b) turn a profit for the seemingly prosperous garage owner.

The sole reason this movie works is down to the sheer audaciousness of the dance routines and booming soundtrack. Spectacular, frenzied and energetic is an understatement and judging from the relatively low outlay for the film to be made and the truly spectacular stateside box office receipts I wouldn’t be surprised if a sequel is in the works as you read this.

FINE Line:
“…if you have a milkshake, and I have a milkshake, and I have a straw. There it is, that’s a straw, you see? Watch it. And my straw reaches across the room and starts to drink your milkshake, I drink your milkshake! I drink it up!” Daniel Plainview – There Will be Blood

Bin It:
St. Trinian’s
Dir: Oliver Parker and Barnaby Thompson
Starring: Talulah Riley, Rupert Everett, Colin Firth and Russell Brand
*
What’s it about?
In the good ol’ days of the Empire Ealing Studio’s was once the bastion of British film making. This year to mark its triumphant return one of its tired and moth eaten franchises had the dubious honour of being remade…this is it. The all girls school is on the brink of bankruptcy and its up to the attendees to save it…all together now…Dear God no!”
Is it any good?
If it were not for my professional obligations I would have walked out of this shoddy, repugnant steaming pile of poo. Predictable, unfunny and genuinely offensive this has to be a sure contender for next years Razzies where the previous years worst movies ever created are subject to ridicule and finger pointing.
You’ll remember this bit:
For all the wrong reasons the female characters will be indelibly etched into your memory. In what has to be one of the most exploitative attempts to sexualise young adults this effort is truly shambolic. Avoid this like you would avoid a headmaster’s cane.

Reel News:

Beyonce Knowles will join Adrien Brody, Jeffrey Wright, Cedric the Entertainer and Emmanuelle Chriqui in Cadillac Records, about the 1950s music executive Leonard Chess, who discovered the likes of Muddy Waters and Chuck Berry. Knowles is playing Etta James in the film.

Hugo Weaving will join Benicio Del Toro, Anthony Hopkins and Emily Blunt in the upcoming remake of The Wolfman, which director Joe Johnston starts filming next month in London.

Fresh from the Bafta win for This is England Stephen Graham is to join the cast of Michael Mann’s Public Enemies, about the FBI agent played by Christian Bale who hunted down gangster John Dillinger Johnny Depp.

Kristin Kreuk and Chris Klein will join Rick Yune and Michael Clarke Duncan in Street Fighter, the second film based on the classic videogame about extreme fighting,the first, in 1994, starred Jean Claude Van Damme. Andrzej Bartkowiak Exit Wounds is directing.

Ellen Page will star in Drag Me To Hell, a horror film by Sam Raimi about a person who’s given a supernatural curse. Filming starts this month in Los Angeles.

Sylvester Stallone is thinking about revisiting another of his past characters, namely Gabe Walker from Cliffhanger 1993. Apparently, a sequel, called The Dam, was written in the late-90s but never managed to get into production.

One Question Interview:

Hayden Christensen star of Jumper
MM: Jumper is an incredbily physical movie. Did you end up with any cuts or bruises…or should I say did your stunt double end up with cuts and bruises?”
HC: “I split my ear open in a fight with Samuel L. Jackson’s character. Then one of my pupils hyperdilated after they put these drops in my eyes to make them go bloodshot after a fight with Jamie Bell’s character Griffin. It got stuck in the dilated position so I had to go to hospital for that.”

Quantum of Solace Trailer!

Roll on November!

Whoa is me!

The revolution will be televised.

Speed Racer

Whoa! I’m nearly there folks just keep those pounds coming in. Don’t make me have to send Bob Geldoff to your house.

The names Solace…Quantum of Solace

Other exclusive pilot episodes are also available here

The Chronicles of Narnia: Prince Caspian

What’s it about?
Following the highly successful first instalment, The Lion the Witch and the Wardrobe, CS Lewis’ dusty prose are given the Hollywood treatment once again. After their adventure in the first outing, which to my mind was pretty mediocre, the Pevensie siblings are magically transported back to Narnia to do battle with a murderous king who is hell bent on usurping the titular Prince Caspian.

Is it any good?
It’s truly spectacular. Not only is it a visual treat, with lavish amounts of special effects, but the cinematography and photography are on par with the Lord of the Rings trilogy. The Pervensie siblings also have come to life in this follow up. Gone are the mannequin like performances that plagued the predecessor and in come a believable, charming and quite likeable family.

There are many set pieces in this that can only be described as jaw dropping. All are delivered at a pace and in a style that leaves you wondering whether the 140mins allocated to this magnificent spectacle was sufficient. It’s a tall task to ask the films intended audience to sit through well over two hours, however, this is probably why the film will be a phenomenal success on its release. You do spend a lot of time getting to know the family the pay off for your investment is a set of well drawn and thought out characters.

Never has the phrase parental guidance been more relevant to anything more than it is here. It’s dark, exceptionally so.

You’ll remember this bit?
Did I mention that it’s dark? Epic battle scenes aplenty you’ll sit agahast as the family lay waste to hordes of invaders…now this is where you may have a conflict of conscience. What do I mean, well…given the spate of teenaged violence that the media has paraded on its front pages over the last six months or so, it may be particularly hard going to watch as the Pevensie’s hack and slash to wild abandon.

E.T.A: 26.06.08

Sex and the City

So this wasn’t press screened to Journo’s before it’s release. It’s at times like these that you can always rely on your ever dependable pals to take in a movie you wouldn’t pay to see yourself. Oh come on…I’m only telling the truth. Anyway without further ado…Tori (maybe it’s time I got my own blog) Johnson’s review is below.

Well, this is the one every single (or not so single) woman has been waiting for. After a year of snatched photos of the dresses, plot speculation, rumour and hype, it’s finally here. And I couldn’t help but think, “Would it be worth the wait?”

But let’s be honest here – the plot could have been as thin as a super model, the critics could have compared it to a Ukrainian fashion show and the cinemas could have charged the price of a Yves Saint Laurent clutch (RIP) – but still we would have flocked to see it.

All any of us can hope for is an extended version of the much missed episodes, and we weren’t disappointed. The story met the friends three years after that fateful night in Paris (what was Carrie doing with that funny little Russian anyway?) and their lives had mostly moved on. Carrie is happily in love with Mr Big, and planning to move into a penthouse apartment worthy of her expanding closet; Samantha and Smith are living in a beautiful beachfront condo in LA; Charlotte is still in heaven with her very tolerant husband and her adopted Chinese daughter; and Miranda is still in exile with the gorgeous Steve and their little boy in Brooklyn.

Everyone seems happy. Carrie and Big decide to get married and there is a huge buzz around the whole ‘event’. And then everything changes. I won’t spoil the story, but Carrie’s world comes crashing down around her ears. Charlotte gives one of the best performances of the film with just one, very out of character, look, and we get to see a rare glimpse of Sarah Jessica Parker without the styling, without the makeup and without so much as a designer pump, as she portrays a woman in utter shock and devastation.

The film is a great mix of laughter and tears, giving the viewer even more insight into the lives and loves of these four women and how fragile relationships and friendships can be. The writing is wonderful and the length, although quite long, never feels drawn out. On the contrary, you didn’t want it to end.

So, as I type this, I can’t help but wonder, “Is this the best film of all time”? And the answer came loud and clear. It may not be up there with the classics of modern cinematography, but how many times are you likely to invite all your friends over to watch Gregory Peck in ‘To Kill a Mockingbird’? How often did anyone say that they couldn’t wait to see the film again after watching ‘No Country for Old Men’? And where in ‘One Flew Over The Cuckoos Nest’ did you see a classic Milano Blahnik blue heal, with stunning diamante detail? Exactly.

Whoa!

Apologies for not posting for a while. Copy deadlines for TOUCH, TV appearances and a brand new project whoatv!

Whoa tv is an online platform for user generated content that exists to give you the opportunity to produce your news, entertainment and respond to the opinions of others. You can produce and submit content to whoa and if we like what we see, using our marketing both online and offline we’ll drive viewers to your weekly or monthly episodes.

Check out more here

Film Review: Indiana Jones and the Kingdom of the Crystal Skull

I was a little tied up earlier this week so could not make the press screening. So I sent it girl about town Tori “I can raise a million pounds single handedly” Johnson who had this to say…

When you get offered tickets to a preview screening of a film, you automatically hope against hope for it to be one of the films you have been waiting to see for months. In my case, that film is Sex and the City. I’m a thirty-something single woman, with a career, great set of friends and a shoe and handbag collection to rival that of Bloomingdales. I’m also going to New York for my holidays this year, and, at a push, could call watching the film ‘research’…. All this goes to prove that I am most definitely not the demographic for Indiana Jones and the Wotsit of the Crystal Thingy. However, my flatmate is a lifelong Harrison Ford fan (second only to Johnny Depp) so we went.

And I’m glad I did. This film is exactly what an Indiana Jones film should be. If you were expecting the franchise to have been modernised, updated, glamorised or ‘improved’ in any way, then you will be disappointed. The film held my attention throughout with some very well choreographed set-pieces and clever comical action sequences. The film nodded more than once to the previous films (in one part, less of a nod and more of a full convulsion!), but, however tenuous or contrived, it all seemed to work.

The first few scenes made humour out of our aging action hero, but once the film got going, Indy was the man he always was and could be seen flying through the action just as energetically as ever he did. Although, the focus was most definitely on Shia Le Boef who took on the role of young buck beautifully, despite having all the hallmarks of being a bit annoying at the beginning, with his James Dean swagger and DA hairstyle. Without giving anything away, the scene with the monkeys and the vines could have gone horribly wrong, but seemed to work within the setting of unbelievable, fast paced action – think Pirates of the Caribbean meets the Mummy Returns!

John Hurt was fantastic and Ray Winston gave his usual cockney cheeky-chappie performance, no more no less, exactly what was needed. However, the award for best character has to go to Cate Blanchette’s [sorry - can't remember name], who’s sinister, mind-reading, Russian villain was perfectly performed, and almost had you rooting for her at the end.

Thirteen year old boys won’t be disappointed either, there is the obligatory scene with swarms of killer creepy crawlies and plenty of danger to overcome on the way to an epic CGI conclusion!

All in all, very much worth the price of a ticket. Ignore the negative press, this film ticks all the boxes and is destined to become a much loved Christmas Day movie of the future. Oh, and Harrison seems to have usurped Johnny Depp. I’m sure he’ll be thrilled!

Touch Me

The new mag is out and yes it feels great to be part of the institution called TOUCH…

Moment of Madness

It’s a well worn plot device that works successfully time and time again on the big screen in which the movies main protagonist spends an age toiling, grafting, forging an empire and reaches the top of his / her game. In a moment of madness, usually a misjudged wink, word or deed, unravels all of their hard earned, formulaic ill gotten gains, in an instant.

Why is it that on screen characters, when things are on the up, when everything is panning out really nicely, has a self destructive habit of pissing their success down the lavatory? Every genre has a story to tell using this format here we have a look at some of the best that ever did it…

No Country for Old Men – Llewellyn Moss

What’s the story?
He’s an ex Vietnam vet who’s living off the fat of the land doing a spot of welding here, shooting a few wild animals there. It’s a simple but carefree life that is ransacked in nano seconds when he stumbles across a drug deal gone bad and two million dollars in cash.

Mad moment
Literally seizing the opportunity with both hands and with a crazy glint in his eye Moss cannot believe his luck. After making off with the spoils he fails to spot the old adage bellowing loud and clear in this chance…”nothing in life is free”

What happens next
Never has a man’s lack of foresight returned to bite him so savagely in the rear than when assassin Anton Chigur is called in to reclaim the loot. There will be blood, sweat and tears…all his, sadly.

The Five Heartbeats – Eddie King Jr

What’s it about?
It follows the meteoric rise of a fictional 60’s vocal group who, from humble beginnings wow America with their singing ability. Hustling their way from pokey juke box joints all the way to sell out stadiums The Five Heartbeats catchy tunes net them money and power in record time far beyond the heights that any of them ever anticipated.

Mad Moment
In nearly every band there is always one bad seed. Here it’s Eddie King Jr played by Michael Wright who brings the band to a tear jerking halt with his night of debauchery fuelled by drink, drugs and women.

What happens next?
Seeking to exploit the division in the band record label bosses step in and sow bad feeling and mistrust by offering various members separate recording contracts. The band split acrimoniously vowing never to speak to each other again.

Goodfellas – Tommy DeVito

What’s it about?
Anthony Hill, a wanabee wise guy who snitches on his mob pals after being caught dealing drugs, is the subject of one of Martin Scorsese’s most violent movies. It charts Hill’s rise as an insignificant foot soldier to lofty confidant of one of America’s most notorious crime families.

Mad Moment
“Now go home and get your fuckin’ shinebox” Apart from the obvious expletive, this is a pretty harmless throwaway line, only problem is it’s aimed at Anthony’s friend Tommy Devito who is perpetually looking for any excuse to “whack” all comers. Anthony’s moment of madness is stand by and watch as Tommy lays waste to this goon who turns out to be a “Made” guy.

What happens next?
After Hill assists him by disposing of the body it is this single action that not only unravels the friendship that exists between Tommy and Anthony but also sows seeds of mistrust with the rest of his mob pals.

Malcolm X – Malcolm X
What’s it about?
Malcolm Little aka Malcolm X aka El Hajj Malik El Shabbaz was the most charismatic and eloquent leader of the Nation of Islam. Spike Lee’s epic follows him from petty thief to civil rights leader culminating in his eventual assassination.

Mad Moment
Famed for his eloquence it was his ill timed statement on the assignation of President Kennedy that sealed his fate. Describing the assassination as “chickens coming home to roost” Malcolm X would soon find that his words would come back to haunt him in so many different ways.

What happened next?
After being suspended from public speaking X found life inside the Nation of Islam untenable. Whilst the accusations of adultery that were levelled at Elijah Mohammed hastened his exit, his changing ideology, popularity and outspokenness also made him the target of counter intelligence programmes that have been linked to his eventual assassination.

American Gangster – Frank Lucas
What’s it about?
Unbelievably Frank Lucas, America’s most notorious drug Kingpin, stayed under the radar undetected for decades whilst he dealt the purist of narcotics under the brand name Blue Magic.

Mad Moment
“That’s a clown suit. That’s a costume; with a big sign on it that says “Arrest me”. You understand? You’re too loud, you’re making too much noise. Listen to me, the loudest one in the room is the weakest one in the room.” A stern warning from Lucas to his own brother about the dangers of flash dressing and its propensity to draw the attention of law enforcers. It’s ironic then that it wasn’t the amount of bodies he’d racked up in his reign that brought him down but the wearing of a chinchilla hat that obscured the view of feds behind him at a boxing match.

What happened next
Top cop Ritchie Roberts eventually brings Lucas to justice but it’s the co-operation with the authorities that eventually enables the top dealers to be brought to account and facilitates Lucas’ early parole.

Heat – Neil Mac Cauley

What’s it about?
A group of bank robbers plan a series of audacious raids culminating in the heist of the decade whilst the feds close in.

Mad Moment
After a series of high risk bank raids MacCauley falls for a brunette who proves to be his undoing as top cop Vincent Hanna closes in and nabs his elusive foe.

What happens next
“A guy told me one time, “Don’t let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner.” Neil MacCauley might be able to trot out some great one liners but boy does he need to take his own advice once in a while.

Ghost Dog – Ghost Dog
What’s it about?
He’s an assassin, highly skilled in his art. Adopting the credo of the ancient Samurai he lays waste to all contracts with precision and dedication leaving no trace.

Mad Moment
“If one were to say in a word what the condition of being a samurai is, its basis lies first in seriously devoting one’s body and soul to his master.” It’s this selfless devotion to his mob boss that ultimately leads to carnage. In a moment of madness he is forced to ice his mentor.

What happens next
It’s downhill from here as the mob close in on him in an effort to even the score.

Scarface – Tony Montana

What’s it about
Charting the rise of the fictional Tony Montana, Cuba’s most hot headed export Scarface explores the inner turmoil, greed and ultimate betrayal of Montana who annihilates his competition to be become Americas most powerful drugs baron.

Mad Moment
It’s the moment where Montana slays his best friend Manny Ribera after mistakenly believing that he is taking advantage of his sister. A transgression that had it been based on fact might be unforgivable. Unfortunately Montana’s judgment is so impaired that his would friends and foes have, in his mind, merged into one.

What happens next
At this point of the movie Montana has reneged on his own rule “Don’t get high on your own supply” It’s this single act that underlines that Montana has lost all grip on reality and the empire that he has painstakingly built crumbles quicker than Michael Jackson’s foundation.

Furious about Nick

I’ve been getting a lot of heat recently from my TOUCH review of Iron Man. Many readers are complaining that despite my assertion that Samuel L Jackson is in the movie as Nick Fury they felt ripped off, as he, in their opinion, was nowhere to be seen.

Word to the wise…I’m rarely wrong as the clip above which rolled after credits testifies.

Give it all you’ve got

Hey,

On Sun 20 July I’ll be cycling from London to Southend to raise money for the British Heart Foundation.

Please can you dig deep and sponsor me by using the following link http://www.justgiving.com/m-morgan

Thanks in advance.

Film Review: Speed Racer

Speed Racer

What’s it about:
Based on the hit Japanese tv series of the same name and directed by the Wachowski Brothers Speed Racer is a young hot headed race car driver. After a major sponsor threatens his family’s business he must enter a series of dangerous cross country rallies in order to spring an intricate trap that will expose the sponsors shady dealings.

Is it any good?
It’s great but it comes with a health warning. The entire film with the exception of the actors, Emile Hirsch, Christina Ricci, John Goodman and Susan Sarandon, is made up entirely of CGI. When Speed Racer hurtles around several gravity defying tracks you are left with an overiding sense of “well, none of this is real is it” that’s not to say that the CGI isn’t particularly good, it is, but it’s obvious to the untrained eye that a considerable amount of computer trickery is involved which lessens the tension of key scenes.

You’ll remember this bit:
The first couple of races are quite impressive but as each race looms you get the impression that this is a pretty one dimensional film. However, lets not kid ourselves, we aren’t here for masterful performances from the lead, we want to be entertained by the screeching of tyres, roar of engines and the crashing of metal.

E.T.A: May 9 2008

Film Review: Adulthood

Adulthood

What’s it about?
Following on from the highly successful Kidulthood is the eagerly anticipated sequel. After serving six years for murder Sam (Noel Clarke) is released back into the community where friends and relatives of his victim, Trife, are still simmering from his thuggery.

Whilst life may have stood still for Sam, with the continuing themes of bullying, and violence following him into prison (we find out how by way of well edited flashbacks), those he left behind have been inextricably affected by his murderous act. Jay (Adam Deacon) has transformed into and angry drug dealer, Moony (Femi Oyeniran) is focussed on finishing his law degreee, Alisa is a single mum bringing up her daughter with the help of her mother and Sam’s ex, Claire (Madalaine Failrley), has found a new man (Danny Dyer) and is determined to move on.

From the outset Sam is focussed on ending the circle of violence that he started but his redemption is made all that more difficult with a shady mentor Big Man (Wil Johnson), lurking in the background, a price on his head and a new breed of bad boys who are determined to pursue him to settle the score.

Is it any good?
Featuring a great soundtrack, and a good use of splitscreen, it’s phenomenal and manages to blow it’s predecessor out of the water. This is no mean feat, but with Clarke in the Directors chair, on scripting duties and in the starring role, greatness is almost certainly guaranteed. Clarke manages to multitask with perfection. For a directorial debut he has put together a perfectly cast, immaculately edited and impeccably paced film. Adulthood benefits from a tight script which features both witty and realistic dialogue. In addition Clarke’s skills on screen are understated, generously allowing his co-stars to develop their characters.

You’ll remember this bit?
This is very much a performance based film featuring many of the young actors from the first movie who have all, notably Deacon, raised the levels of their onscreen skill.

The mugging scene in which Deacon deals out a stern rebuke to a client who is reluctant to pay for his dope is pure class. This warms you up for a later scene which is an interesting variation on the classic mexican stand off…baseball bat vs automatic handgun.

Plan B, as Dabs, shines as the perpetually out of control thug who also shows a keen sense of comic timing. Dyer whilst providing a brief performance adds value here dominating his scenes with an intensity that many will liken to that of Ray Winstone. Adulthood is a timely film given the cycle of violence that many in the UK, either voluntarily or involuntarily, now find themselves a part of. With its message of hope, redemption and an end to violence this is definitely the most important film of this year.

E.T.A: 20 June

Film Review: Death Defying Acts

What’s it about?
Guy Pearce is the world famous escape artist Harry Houdini, who in order to debunk charlatan psychics, promises a $10,000 reward to anyone who can contact his mother from beyond the grave. Enter Zeta Jones as Mary McGarvie and her equally deceptive daughter played by Saoirse Ronan who both want to get their hands on the loot.

This is a movie about relationships and deception than the expected thrills and spills. However, its produced and edited with such flourish that you are rarely stuck in one genre long enough to notice.

Is it any good?
It is pretty damn good. The all star cast give captivating performances the sets and other period features look exceptional. Nicely paced with enough twists and turns to keep you guessing. DDA is a testimony to Pearce’s selective process when choosing roles. To date he has yet to choose a dud and this continues the trend.

You’ll remember this bit:
Even though we all know how Houdini eventually dies, each and every…dare I say it…death defying act will have you willing him, from the comfort and relative safety of your seat, to emerge unscathed.

E.T.A: 8 August 2008

He’s so fly!

Iron Man press screening next Monday, one word…excited! For now check out this extended clip.

Film Review: Three And Out

Three And Out

What’s it about?
After accidentally mowing down two tube passengers London underground driver Paul (Mackenzie Crook) is soon tempted by the little known rule that if he racks up three fatalities in one month then he will be retired early with a handsome compensation payment.

Is it any good?
The movie had me groaning from the start as a cheap gag, which I hope was an homage to 70’s cinema, was thrown into the audience. Do you remember back in the day there was a running gag about the black guy dying first in movies?…you do? The gag quickly wore thin after a spate of films in which the appearance of a black guy on screen at the start of a flick was usually code for “ the first victim we have wheeled out for your delectation and a grisly death is contestant number one.”

Well, what do you know, it’s 2008 and this gag, to my horror, is still being rolled out as entertainment. No sooner do we see a black guy with a frisky dog, flanked by his two friends striding down a tube platform, you’ve guessed it “the first victim we have wheeled….”

You’ll remember this bit:
This is the most laziest,vacuous and talentless bit of filmmaking I’ve had the displeasure to view in a longtime. Billed as a comedy it is the blueprint on how to alienate your audience. The majority of gags have a homophobic undertone which in my book is a cheap antiquated mechanism that clearly illustrates a lack of imagination.

Paul is desperate to find a willing participant to his get rich scheme. After visiting the home of one of them and gratefully eating a pretty large sausage it soon transpires that, whilst his host would like to die, it’s his wish that he be eaten alive. Cue a swift exit by our hero who is then repeatedly badgered via his mobile phone by his former host with cries of “why don’t you come and eat me?” and “do you want my sausage?” A word to the director, first rule of comedy be funny, second rule of comedy be very funny.

Unfortunately my most memorable moments of last nights press screening had nothing to do with the film, which I eventually walked out of. My memorable moment occured before the film commenced. As is customary at press screenings held in swanky hotels we were treated to exceptionally expensive wine…the red was absolutely gorgeous and so smooth. Just to let you know how awful this film really was, lets just say I would rather have this excellent red beverage poured into my opened eyes than sit through such tripe again.

Cloverfield

If you thought the ending to what has to be one of this years most incredibly nauseating movies was not enough here are a few alternatives. Oh and it also features some deleted scenes.